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Conversions. A Laboratory-Book
  • Prize of the “Research through Architecture / Architecture Books” section

Conversions. A Laboratory-Book

Authors: igloo media

Collaborators:
Director editorial și postfață: Bruno Andreșoiu
Coordonator proiect și prefață: Iuliana Dumitru
Redactori: Iuliana Dumitru, Diana Badea, Anda Zota, Manuela Zipiși
Corectură: Andreea Amzoiu
Concept grafic și layout: Cătălin Artenie
Procesare imagini, DTP: Cristian David
Tipografie: MasterPrint SuperOffset

Alte texte: Augustin Ioan, Ilinca Păun Constantinescu, Mihai Danciu, Cristina Sucală, Miki Braniște, Mihai Iepure-Górski, Răzvan Anton

Authors’ Comment

"Conversions. A Laboratory-Book" is a unique publishing appearance that (de)archives 13 contemporary examples of architectural and functional conversion in Romania. In these cases, buildings from industrial, religious, military, and commercial heritage have been readapted and revalorized through a cultural and artistic dimension. These include: Atelierele Malmaison, Casa Tranzit, Atelierele Scânteia, FABER, La Centrală (Slănic-Moldova), The Ark, Baia Turcească, Bastionul Theresia, ARCUB, Palatul Universul, and MultipleXity (MX), along with two case studies dedicated to special initiatives, Mina ("Planeta") Petrila and Fabrica de Pensule in Cluj-Napoca.

But what kind of book is this? For a while, even we didn't know. We eventually called it a "Laboratory-Book," a provisional name. It could have been a workshop-book, a construction-site book, an archive-book – which it still is. Above all, however, it is an unfinished book. For it reflects, through itself (through its format, graphics, and materiality), the fundamental condition of its theme – conversion – and, more specifically, of spaces with variable destinies and destinations. It's a book like a fragmented territory, with uncertain borders, and then an inevitably incomplete attempt to map it – proof that the situation of some of the selected projects changed even as we were writing about them.

The inevitable result is a hybrid book (of architecture, contemporary art, recent history, urban observation?), which speaks about the potential of spaces in waiting, caught between fragility and continuity.