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#2-4 The intersection between community and art

#2-4 The intersection between community and art

Authors: Elena-Teodora Dicu

Tutors: conf. dr. arh. Oana Diaconescu, lect. dr. arh. Daniel Armenciu, lect. dr. arh. Mihaela Lazăr, lect. dr. arh. Astrid Rottman, asist. arh. Ruth Iacob, lect. dr. arh. Răzvan Lăcraru
Universitatea de Arhitectură și Urbanism „Ion Mincu”
Facultatea de Arhitectură de Interior

Authors’ Comment

Located at 2-4 French Street, the project envisions the rehabilitation of a historic building in Bucharest’s Old Town and its transformation into an artist residency and contemporary cultural center.
The intervention seeks to transform the site into a dynamic node at the intersection of art and community, offering a complex framework for creation, exhibition, and dialogue, with a strong emphasis on public engagement in the artistic process.

In developing the concept, three major challenges were identified. The first concerned the currently unused inner courtyard, which was envisioned as a connector to all three adjacent streets. Originally aligned with the level of French Street, the courtyard was reconfigured to -1 level due to the descending slope of Victoriei Avenue, thus aligning it with Filitti Street. This adjustment generated three pedestrian access points from Victoriei Avenue, French Street, and Filitti Street, all converging in a central space: the inner courtyard. The second challenge was treating the blind wall resulting from the demolition of the adjacent building, which left a large exposed surface.

The conceptual foundation lies in fostering active interaction between artistic space and the urban context. The goal was to create an open framework in which artists not only live and produce work but also collaborate with the public. The intervention’s graphic symbol, the hashtag (#) derives from the geometry of the site’s footprint, suggesting networks, connections, and intersecting layers of function, people, and ideas.

The spatial configuration is organized into two primary functional zones. The public area, developed across the ground floor and basement, includes an art gallery connected via a passage to a bistro and the inner courtyard, conceived as a flexible space for events, workshops, and hybrid cultural activities. These are complemented by commercial components accessible to the wider public, acting as a mediator between creators and the community.

The private area, located on the upper floors, is reserved for resident artists and includes studios, living units, and shared spaces designed to support collaborative work and interdisciplinary exchange. These environments encourage interaction among diverse artistic practices and foster long-term creative partnerships.

The project proposes a coherent system that accommodates the complete artistic cycle, from creation to exhibition and commercial valorization, within an integrated framework. As such, the public is invited to take an active role in the cultural experience, moving beyond the conventional role of passive spectator.

Through these interventions, the project establishes an open platform for artistic expression, where city, community, and art converge within a vibrant, adaptable, and inclusive space, a model of urban reactivation through culture.



2025
Research through Architecture
Architecture Diplomas
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