Authors’ Comment
The project proposes a multi-faith, landscaped cemetery in Banat, designed as a contextual heterotopia where death, memory, and community come together in a shared setting. The space is not treated as a marginal territory, but as a garden of convergence, a place of reconciliation where the differences of local denominations are reflected in an architecture of mutual recognition.
The organization of the ensemble is articulated around a sacred axis, which expresses the religious and cosmic perspective on life. Along its length, there are three symbolic stations: the greenhouse, which evokes birth, regeneration, and the tree of life—the Edenic point of beginnings; the central chapel, which also incorporates the mortuary space, symbolizing the death and resurrection of Christ and marking the center of the earth, like an axis mundi; and the communion hall, a place of communion and remembrance, where the community gathers like disciples at the table of expectation.
The landscape plays a fundamental role. The vegetation, organized in symbolic gardens, evokes the original paradise, and the integration of sustainable Green Burial practices makes the place relevant to contemporary needs. The planted trees become living signs of memory, while stone affirms permanence, textiles express fragility, and light shapes the sacred experience of passing.
Thus, the project goes beyond the functionality of a burial site and proposes a spatial narrative of life and death. Through symbols, landscape, and architecture, it becomes an infrastructure of trust, a space of active memory and community reconciliation.